#ttrpg

(Reposting this review because the old one did survive migration to the new instance.)

My main complaint about this book is that it is too short. But then again, how could it be otherwise?

This book covers Tian Xia, an entire continent for #Golarion , the "default" campaign setting for the #Pathfinder #TTRPG . Just like the default "Inner Sea" region is vaguely inspired by Europe and North Africa, so is Tian Xia inspired by Asia, and does its best to make it an interesting region to play in. But Tian Xia is several thousands of miles in diameter, and this book has a mere 302 - and thus, each region and country on this continent will only get the briefest of oversights. Which for a detail-oriented setting junkie like me is frustrating, to say the least.

The authors of the various regional writeups did try to make the most out of their word count. We get a decent idea of what the local culture is like, and most regions have some good conflicts and other hooks for adventures and even entire campaigns around. However, there is a dearth of locations - each region is several hundreds of miles in diameter, but we only get three to four (briefly) described locations for each region. A GM who wants to run a campaign in one of these regions will have to do a lot of worldbuilding - which is not something I personally abhor, but if you plan to use this setting, then this is something you should keep in mind. I do hope that some of the authors of this work will publish more in-depth regional gazetteers using the Pathfinder Infinite Community Title program if Paizo doesn't support this setting further directly.

(Speaking of worldbuilding - is there a list somewhere of which real world culture inspired which region in Tian Xia? With some regions it was obvious even for me, but with others I would have to do some further research.)

Apart from the brevity, there were only a few parts of this book I wasn't fond of:

• Linvarre: A nation founded by "Western" colonizers who were welcomed as stabilizing force does not sit well with me, although I realize that this is a holdover from a previous edition where the editorial decisions were... less wise.
• The arcade games games in Goka, which were too anachronistic for my tastes.
• Quain: I don't mind martial arts as such, and have played a monk in my time, but a nation focused this much on martial arts is a bit over-the-top for my tastes. Other people's tastes might differ.

On the other hand, there were some real highlights:

• Po Li: Its worship of a vanished ruler is delightfully creep. "Trust the Eternal Emperor! The Eternal Emperor is your Friend!"...
• Tianjing: You could run an entire campaign focusing on preventing this land from becoming another Worldwound... or letting it happen and then have another campaign about containing it again.
• Kwanlai: I do love a good "underdog" tale.

To sum it up, I would strongly recommend this book to anyone who wants to run fantasy campaigns in an Asian-themed setting, and I hope this work will not be the end of the support for this region.

I do actually have a plan for all those random books I've collected from little free libraries and am adding to my #BookWyrm account at @juergen_hubert@tomes.tchncs.de - I want to use them as #ttrpg #worldbuilding inspiration for a custom fantasy world.

But before I can start with that, I need to do some setup work first (and I am _definitely_ not going to do that before I have finally published my current book manuscript - there have been too many distractions already).

My big idea is to a combined wiki/interactive map system like they have at the #Pathfinder wiki. See here for the wiki:

https://pathfinderwiki.com/

and here for the map:

https://map.pathfinderwiki.com/

Now, I've created wikis before and I have drawn maps before. However, for project this I have to delve into #QGIS , and _that's_ something I need to learn from the beginning. (And I _do_ want a true 3D model for the world, using #GIS information).

Once I have set this up, I use all the books I have to come up with new locations and add them to both the wiki and the map at the same time. But first, I need to learn _how_ to do this and set it up.

So if you know of any good tutorials for QGIS for this purpose - i.e. _not_ using for conveying real world information, but building a fantasy world from the ground up - then feel free to point them my way.

The Ink That Bleeds is a fine zine about playing solo rpgs/ journaling game in a way that allows your subconscious lots of input. Paul Czege does a great job at telling how he arrived at this play style, explaining his thoughts on and analysis of it, and giving examples from his actual plays of various journaling games. The zine has a beautiful cover, a clean layout, and a nice feel to it.

The subtitle "how to play immersive journaling games" might be interpreted that Paul describes THE way to play these solo games immersively, but I'm not sure that's an interpretation he would agree with. I'm no expert at immersion, but I think other ways to immersive journal gaming experiences are possible.

That speculation aside, this zine is an introduction to a play style that sounds very interesting. Paul describes a stance and techniques that invite participation of your subconscious. I assume that even with practice, the outcome might partly have the surreal quality of dreams that don't adhere to the logical or narrative standards we're taught to expect, but that rather make sense at a deep, personal level that may need getting used to.

However, I totally want to try it out. Now I just need to find more time for journal gaming! #solorpg #ttrpg #journalgaming #sologaming #journalinggame

#SoloClub #TTRPG

I've been an avid tabletop roleplaying gamer since the Satanic Panic, and while I'd played with using random tables or oracles to try to run solo games to feed my thirst to play, they didn't flow well or reproduce the thrill of "playing to find out". The closest I came to solo roleplaying success might have been old Traveller's character generation, where as I rolled the career that the character went through, I imagined what each roll of the dice meant. What happened during that period of service to get the character that +1 in Bribery? Of course, the fact that a character could die during character creation added some of the surprise or thrill that seemed to be missing from other attempts at solo play. Fast forward to the pandemic in 2020, and even though I had been playing games online for years, I found that because of work and the pandemic, I couldn't often seem to find the time or energy for online sessions. This has made me think about solo gaming both as a form of entertainment and as a way to prep for running games for others: what better way to learn the ropes of a system than to try it out solo first?

Geek Gamers, on the other hand, came to solo roleplaying as a natural step from a childhood: "the way I make up stories comes from years of spending time alone as an only child and using my mind to create other worlds. Often those places had magic. They were always escapes." (p.2)

Later, their love of interactive fiction games (such as Zork), loving RPGs but not having a group to game with. Having a degree in Victorian Literature also seems to have informed Geek Gamers development as a solo RPGer in that they have a solid understanding of how plots develop and scenes are written to be engaging. In their own words, the purpose of this book "is [to] explain some basic tenets of storytelling and narrative and apply them to working with RPG rules, mechanics, and constructs. These are the strategies I turn to in my mind when I’m playing. These are what give my sessions the compelling stories you see developing. And these concepts are what I’ve put into words for you, here in this book." p.2

Even Character Creation is Play Geek Gamers definitely delivers on laying out how to make solo gaming compelling and entertaining. First, they lay out that "Solo RPGing is what you want it to be, not what someone tell you it is." (p9) In other words, they give you the permission to bend or ignore rules in order to make the game entertaining. Some may think this strange, but for many following the rules is seen as being true to the game or author, so explicitly being given permission to do that in order to make a solo game fun is necessary for those people. Solo gaming is, after all, "all about story." (p.10)

How do you make solo play interesting? This is the meat of the book. It is not full of oracles / random tables to help you along. Instead, they lay out the approach to setting up the scaffolding for a good story. Going against how the majority of RPG rulebooks are laid out, they say to start with the setting and hook over character development. Many of the tips are ingenious in their simplicity, such as:

-Setting a rule for when to cut a scene after 1d6 actions, which helps keep the story moving along and keeps scenes from stagnating -How to avoid using dice when just picturing yourself in the scene could give you the answer. -Don't start with character creation, but build the setting first, so that you're setting the stage for the story. What's the history of the place? You don't need it all, just the big picture or most relevant/interesting, of course. -"[A]llow random table results to be interpreted as thematic results, not just literal ones." This helps to create a story with an arc and richness, rather than a cluster of random events and places. -Use non-gaming books, such as novels to generate ideas by randomly flipping to a page or rolling dice to determine the page number, then read from the page to find the ideas you need.

The book goes on to provide several other ways to come up with ideas to push the story forward and avoid the common dead ends that players often experience in solo games by using basic oracle tables. One of my favorites is creating your own random tables, and making them nested to provide more emotional or evocative places. Even the table titles can be made to be evocative: not "Wandering monsters" but "Escapees from the wizard's laboratory".

Needless to say, there is much more detail and guidance in the book to make you realize that solo rpging can be a narrative puzzle that can keep you engaged for hours. To help you along, the author includes a how-to-start-your-first-session checklist, as well as a recommended reading list that in many ways is for fiction writers or movie script writers. Then again, isn't that what we are doing in our minds -- creating a movie?

I give this 5 stars because it definitely succeeded in its goals, introduced me to new ideas and approaches, and it is a book I will be returning to reread on a regular basis as I sharpen my solo-roleplaying skills.